the world of music

tag:blogger.com,1999:blog-218778832011-04-21T20:33:38.286+02:00the world of musicISSN 0043-8774womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comBlogger111100tag:blogger.com,1999:blog-21877883.post-19716452932708062162008-04-14T19:20:00.009+02:002008-12-09T01:39:11.693+01:00wom 49, 2007-3

Music and Politics on the Korean PeninsulaEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editors: Nathan HesselinkISSN 0043-8774ISBN-978-3-86135-813-8CONTENTSMax Peter Baumann From the EditorArticlesNathan HesselinkMusic and Politics on the Korean Peninsula (Introduction) Robert C. ProvineMusic, Measurements, Pitch Survivals, and Bell Shapes in KoreaNam Sang-sookThe Debate over

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-82422522714619796232007-12-16T12:48:00.000+01:002008-12-09T01:39:11.850+01:00wom 49, 2007-2

Music Archaeology: MesoamericaEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editors: Arnd Adje Both and Julia L. J. SanchezISSN 0043-8774ISBN-978-3-86135-812-1-ArticlesArnd Adje Both and Julia L. J. Sanchez:PrefaceDale A. Olsen:The Complementarity and Interdisciplinarity of Archaeomusicology: An Introduction to the Field and this VolumeMatthias Stöckli:Playing Music as a Domestic

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-70031849744809338132007-11-25T11:34:00.000+01:002008-12-09T01:39:12.123+01:00wom 49, 2007-1

Indigenous Peoples, Recording Techniques,and the Recording IndustryEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: Karl NeuenfeldtArticlesKarl NeuenfeldtNotes on the Engagement of Indigenous Peoples with Recording Technology and Techniques, the Recording Industry and ResearchersBeverly Diamond“Allowing the Listener to Fly as They Want to”: Sámi Perspectives on Indigenous CD

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-84599173753905721682007-09-07T14:04:00.000+02:002008-12-09T01:39:12.448+01:00wom 48, 2006-3

Echos of Our Forgotten Ancestors IIEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: Victor A. GrauerISSN 0043-8774ISBN-978-3-86135-749-0ArticlesJonathan P. J. StockIntroductionVictor A. Grauer:Echoes of Our Forgotten Ancestors: Some Points of ClarificationRachel Mundy:Musical Evolution and the Making of HierarchyMatthew Rahaim:What Else Do We Say When We Say “Music Evolves”?

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-45323969249539539442007-03-16T13:17:00.000+01:002008-12-09T01:39:12.776+01:00wom 48, 2006-2

Echos of Our Forgotten AncestorsEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: Victor A. GrauerISSN 0043-8774ISBN-978-3-86135-748-3ArticlesVictor A. GrauerEchoes of Our Forgotten AncestorsBruno NettlResponse to Victor Grauer: On the Concept of Evolution in the History of EthnomusicologyJonathan P. J. StockClues from Our Present Peers?: A Response to Victor GrauerPeter

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-1166462157800101592006-12-18T18:11:00.000+01:002007-08-20T19:21:41.377+02:00wom 48, 2006-1

Music and Childhood:Creativity, Socialization, and RepresentationEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: Amanda MinksISSN 0043-8774ISBN-13-86135-747-6CONTENTSMusic and Childhood: Creativity, Socialization, and RepresentationArticlesKathryn MarshCycles of Appropriation in Children’s Musical Play: Orality in the Age of ReproductionAnthony Seeger and Kate SeegerBeyond

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-1162235394707000702006-10-30T19:57:00.000+01:002007-09-05T10:38:28.182+02:00wom 47, 2005-3

The Music of “Others” in the Western WorldEditor: Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: Bruno DeschênesISSN 0043-8774ISBN 3-86135-745-3ArticlesBruno DeschênesThe Interest of Westerners in Non-Western MusicSteven CasanoFrom Fuke Shuu to Uduboo: The Transnational Flow of the Shakuhachi to the WestJay KeisterSeeking Authentic Experience: Spirituality in Western Appropriation

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-1149094343977685042006-05-31T18:43:00.000+02:002006-10-31T10:07:02.680+01:00wom 47, 2005-2

Notation, Transcription, Visual RepresentationEditor:Max-Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: Marin Marian-BălaşaISSN 0043-8774Articles:Marin Marian-BălaşaWho Actually Needs Transcription? Notes on the Modern Rise of a Method and the Postmodern Fall of an IdeologyRytis AmbrazevičiusThe Perception and Transcription of the Scale Reconsidered: Several Lithuanian CasesTriinu

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-1146472776975019102006-05-05T10:21:00.000+02:002006-10-31T10:08:36.096+01:00wom 47, 2005-1

Musical Reverberations from the Encounter ofLocal and Global Belief SystemsEditor: Max Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor: T.M. ScruggsISBN: 3-86135-743-7ArticlesGregory BarzSoundscapes of Disaffection and Spirituality in Tanzanian Kwaya MusicCarol Muller“Reading” the Book, Performing the Words of Izihlabelelo zamaNazarethaAnne K. RasmussenThe Arab Musical Aesthetic in

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-1141165756591773282006-03-05T19:00:00.000+01:002006-10-31T10:07:59.173+01:00wom 46, 2004-3

Women and Music in Sri LankaEditor: Max Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editor:Martina Claus-BachmannContent: Articles The Guest Editors Preface Martina Claus-Bachmann Kuveni, or the Curse of a Woman as Flash Point for Music-oriented (Re)Constructions Mangalika Rajapakse Songs Associated with Sri Lanka’s Paddy Cultivation: Music and Gender Aspects Almut Jayaweera

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.comtag:blogger.com,1999:blog-21877883.post-1146858312078635252004-01-05T21:37:00.000+01:002006-10-31T10:09:30.760+01:00wom 46, 2004-2

Japenese Musical TraditionsIn Memory of Linda Kiyo Fujie Editor: Max Peter BaumannCo-Editor: Jonathan P. J. StockGuest Editors:Jane Alaszewska / Tsuge Gen’ich ISSN 0043-8774 Content Articles Jane Alaszewska / Tsuge Gen’ichi Preface Gerald Groemer The Rise of “Japanese Music” Patrick Halliwell Groupism and Individualism in Japanese Traditional Music Terence Lancashire The kagura

womhttp://www.blogger.com/profile/17900553428125739041noreply@blogger.com